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Dogme 95 (in English: Dogma 95) is an avant-garde filmmaking movement started in 1995 by the Danish directors Lars von Trier and Thomas Vinterberg with the signing of the Dogme 95 Manifesto and the VOW OF CHASTITY. They were later joined by fellow Danish directors Kristian Levring and Søren Kragh-Jacobsen, to form a group sometimes known as the Dogme 95 Collective or the Dogme Brethren.

The manifesto and its companion vows were drafted by friends and initial co-signators Von Trier and Vinterberg. Vinterberg holds that it took him and Von Trier 45 minutes to finish. The manifesto initially mimics the wording of François Truffaut's 1954 essay Une certaine tendance du cinéma français in Cahiers du Cinema.

The Dogme movement was announced on March 22, 1995 at Le cinéma vers son deuxième siècle conference in Paris, where the cinema world gathered to celebrate the first century of motion pictures and contemplate the uncertain future of commercial cinema. Lars von Trier was called upon to speak about the future of film but instead showered a bemused audience with red pamphlets announcing the Dogme 95 movement.

In response to the criticism, von Trier and Vinterberg have both stated that they just wanted to establish a new extreme. "In a business of extremely high budgets, we figured we should balance the dynamic as much as possible."

The spirit of the Dogme technique influenced Lars von Trier's film Breaking the Waves, although it is not a Dogme film. The first of the Dogme films was Vinterberg's 1998 film Festen (The Celebration) produced by Nimbus Film, which is also known as Dogme #1. Festen was critically acclaimed, and won the Jury Prize at the Cannes Film Festival that year. Von Trier's only Dogme film, Idioterne (The Idiots, or Dogme #2), also premiered at Cannes that year but was less successful. Since the two original films were released, other directors have participated in the creation of Dogme films. French-American actor and director Jean-Marc Barr was the first non-Dane to direct a Dogme film with 1999's Lovers, or Dogme #5. The American Harmony Korine directed the movie Julien Donkey-Boy which is also known as Dogme #6.

The goal of the Dogme collective is to purify filmmaking by refusing expensive and spectacular special effects, postproduction modifications and other gimmicks. The emphasis on purity forces the filmmakers to focus on the actual story and on the actors' performances. The audience may also be more engaged as they do not have overproduction to alienate them from the narrative, themes, and mood. To this end, Lars von Trier and Thomas Vinterberg produced ten rules to which any Dogme film must conform. These rules, referred to as the "Vow of Chastity," are as follows:

1. Filming must be done on location. Props and sets must not be brought in (if a particular prop is necessary for the story, a location must be chosen where this prop is to be found).
2. The sound must never be produced apart from the images or vice versa. (Music must not be used unless it occurs within the scene being filmed, i.e., diegetic).
3. The camera must be a hand-held camera. Any movement or immobility attainable in the hand is permitted. (The film must not take place where the camera is standing; filming must take place where the action takes place.)
4. The film must be in colour. Special lighting is not acceptable. (If there is too little light for exposure the scene must be cut or a single lamp be attached to the camera).
5. Optical work and filters are forbidden.
6. The film must not contain superficial action. (Murders, weapons, etc. must not occur.)
7. Temporal and geographical alienation are forbidden. (That is to say that the film takes place here and now.)
8. Genre movies are not acceptable.
9. The final picture must be transferred to the Academy 35mm film, with an aspect ratio of 4:3, that is, not widescreen. (Originally, the requirement was that the film had to be filmed on Academy 35mm film, but the rule was relaxed to allow low-budget productions.)
10. The director must not be credited.

These rules have been both circumvented and broken, from the first Dogme film. For instance, Thomas Vinterberg "confessed" to having covered a window during the shooting of one scene in The Celebration (Festen), which is both bringing a prop onto the set and using special lighting.

There is no verification process to make a Dogme 95 film. Filmmakers submit a form online and check a box which states they "truly believe that the film ... has obeyed all Dogme95 rules as stated in the VOW OF CHASTITY."[1]

Complete list is available from the Dogme95 web site [2].

• The Celebration
• The Idiots
• Mifune's Last Song
• The King Is Alive
• Julien Donkey-Boy
• Fuckland
• Italian for Beginners
• Joy Ride
• Reunion
• Open Hearts

• Thomas Vinterberg
• Lars Von Trier
• Søren Kragh-Jacobsen
• Anders Thomas Jensen
• Kristian Levring
• Jean-Marc Barr
• Anthony Dod Mantle
• Paprika Steen
• Fran Ilich (His film got censored by Youtube and Televisa, alleging copyright infringement).

• Category:Dogme 95 films
• Minimalism
• Realism (arts)
• dogma00
• Pluginmanifesto
• New Puritans

• Official Dogme95 website
• To the Rescue of Cinema: Dogme 95 at BrokenProjector.com
• GreenCine primer on Dogme95
• The Dogpile95 movement's website
• Interview with The Dogme Doctor Mogens Rukov
• Official Nimbus Film website